Landcapes with Judith Brown, Vincent Crotty and Larry Pryor Jan. 2, 2008 -- April 4, 2008
Three artist present differing visions of the landscape. Judith Brown presents large oil paintings of Italy. Big sky and bold green hillsides fill these luminous canvases. Vincent Crotty paints the Dorchester city scape with the sensibility of European trained craftsman. In one canvas light creates a dark canyon between three-deckers. Larry Pryor's medium sized digital photographs show the imprint of man on the urban environment. His camera finds abstract beauty in functional forms around us.
Dorchester Open Studios Juried Exhibition
Oct. 26 - Jan 1 — 2007; Opening Reception October 26, 2007
This is a great show of works by Dorchester Artists. Come in and see this show of 18 very different talents. The work is original, the artists are talented and the prices are considerably less than Newbury Street.
Come see the show at our regular hours 3-6pm Fridays and Saturdays or contact me by email or phone at 617-429-9597 for an appointment
To the Power of Ten
June 3rd — August 5th, 2006; Opening Reception June 3rd, 2006
New work by Kathy Gerdon-Archer, Diane Ayott, Caroline Bagenal, Leonie Bradbury, Judith Brassard Brown, Masako Kamiya, Mia Nehme, Cathy Paige, Rose Olson and Laura Tonelli.
In the tradition of the female sponsored salons of the 18th Century, these ten artists and art historians generate art and ideas through collaborative exchange.
Approaching from different points and places -- making, teaching, curating, and writing about art-- this goup, which has met monthly for the last two years, comes together in an exhibition celebrating their individual accomplishments and collective energy.
Come see the show at our regular hours 3-6pm Fridays and Saturdays or contact me by email or phone at 617-429-9597 for an appointment
Laura Evans and Keith Maddy
April 7th — May 22nd, 2006
Laura Evans' suspended constructions have a Miro meets Rube Goldberg feel. Multiple assorted objects hang from the ceiling in front of a long series of windows. Objects are suspended and interconnected by strings, wires and bungee cords. Evans' use of the light and space between the objects is playful and engaging. Sometimes the objects of our senses mimic the structure of our own conciousness. Sometimes it is not an accident.
